
img. courtesy: Europeana
EUreka3D project is co-financed by the Digital Europe Programme of the European Union.
img. courtesy: Europeana
EUreka3D project is co-financed by the Digital Europe Programme of the European Union.
The EUreka3D Advisory Board is a consultative body formed by experts representing cultural institutions, cultural heritage research teams and international organisations. It advises the project, provides feedback on its activities, and liaises it with the cultural heritage and research community. The Advisory Board members are invited to join project meetings and to take part in EUreka3D public activities, and the group met the project consortium on 15 December 2023, on the occasion of the first public demo of the project’s platform for CHIs. Following the demo, the experts shared their impressions, advice and recommendations to be taken into account in the subsequent phases of development in 2024 during year two of the project.
Among the comments received, prof. Costas Papadopoulos mentioned that nowadays many CHIs who want to publish 3D models online use Sketchfab, but this has various implications and challenges for the CHI. To provide an equivalent but safer solution, as EUreka3D is starting to do, is certainly of high value for CHIs. Of course, there is a challenge on sustainability after the project’s end, because various initiatives are funded to develop solutions and tools, but then the maintenance of these resources, especially for e-infrastructures in Social Sciences and Humanities, is left open, and sound sustainability models are needed. Also, the various EU funded initiatives developed along time created fragmentation, with many partners developing tools and standards, hence the need to encourage interoperability and connections between the various initiatives.
Prof. Monika Hagedorn-Saupe and prof. Isto Huvila argued about the importance of paradata in 3D models documentation. This may be felt by CHIs as a challenge, because it is a new element to be integrated in existing workflows, thus projects like EUreka3D should be attentive to this and to show the added value and innovation, which would motivate CHIs to do it. While in the future there will be systems and tools for automated capturing of paradata from the workflow, now CHIs and their staff need to make decisions on what to document and how to preserve and maintain such data. there are also ethical implications that need to be taken into account, such the information about the operators involved in the digitization process, which is a new challenge arising in this new context of 3D digitization.
Finally, some discussion of the group related to the identity of EUreka3D and its future. This project wants to be a pathfinder to show success stories, and foster interoperability and synergies with higher-level initiatives like the Data Space for Cultural Heritage led by Europeana, and the future European Collaborative Cloud for Cultural Heritage. With EUreka3D we want to offer inclusive opportunities for CHIs to deliver their content for reuse online and in XR applications, aiming at creating a decentralized ecosystem that works together.
EUreka3D project is co-financed by the Digital Europe Programme of the European Union.
ECSA Conference 2024
The European Citizen Science Association (ECSA) will host its 5th conference in Vienna from April 3 to 6, 2024.
The conference will focus on the motto ‘Change‘, reflecting the current era of rapid transformations on multiple levels.
The aim of the event is to address different approaches to change from all kinds of perspectives within the realm of citizen science and participatory research. This includes discussions and networking opportunities for citizen science practitioners, researchers, activists, scientists, policymakers, artists, and more. The event will highlight the potential of citizen science as a catalyst for change in both research and society, emphasizing its role as a valuable tool to navigate ongoing transformations
The conference will explore both active, transformative change, and the observation of change monitored by citizen science in all kinds of disciplines.
Stay updated on the conference program
Registration for the conference is open until March 15, 2024
The Future is Heritage is an international network and platform that aims to strengthen the position of young people working in the heritage field throughout Europe by initiative of Dutch regional heritage organisation Erfgoed Brabant. The network has its basis in the collaboration between both young and established professionals in the cultural heritage field, in order to initiate an international and intergenerational dialogue and collaboration.
“The position paper puts into words the youth’s vision for the sustainable future of cultural heritage. At the same time, the paper invites the cultural heritage field to act on youth priorities and fully integrate young people on all levels, from decision-making, to on-the-ground actions.”: the paper highlightes both the “Youth Manifesto” on cultural heritage and a summary of activities of the European Year of Youth, with a final part focusing on the different partners that collaborate to the project.
Read here the position paper.
On 16 and 17 December 2023, one of the Andalusian irrigation channels was recovered in the municipality of Galera in Granada: the irrigation channel of La Alpanchía. This canal, probably built in the medieval Andalusian period, had a problem in its passage along the road, which caused it to fall into disuse for 6 years. The progressive abandonment of the irrigation channel itself and of the associated cultivation areas made it difficult to put it into operation. This abandonment was also causing the disappearance of a unique cultural landscape which is home to a great deal of traditional and ecological knowledge: the traditional fertile plains.
The initiative, carried out in the frame of the INCULTUM pilot, has been promoted by different entities: the PASOS | Participación Association and its project “Vegas de Conocimiento”, the University of Granada, represented by the MEMOLab – Biocultural Archaeology Laboratory, the Galera Town Council, the La Alpanchía Association, and the Irrigation Community of the River Orce, La Alpanchía and Carrachila.
In total, some 2.5 km of irrigation ditch have been recovered, returning water to this channel and to the adjoining cultivation areas. Seventy people took part, ranging from students of archaeology, history and politics to residents of neighboring municipalities. The recovery of these ditches is a tool for social intervention to strengthen the Irrigation Community and encourage the use of farmland, thus recovering the environmental services that this ditch had been providing before its abandonment.
DCIM100MEDIADJI_0159.JPG
The Fair and Solidarity Tourism workshop, organised in the frame of the INCULTUM project, unfolded over three Sundays on 3, 10 and 17 December 2023, with the final event held in the picturesque mountain village of Demati Zagori.
The workshop brought together cultural associations, local stakeholders and representatives from neighboring regions. Participants were introduced to the new website set up by The High Mountains in the context of INCULTUM.
Practical sessions were devoted to demonstrating tools on cooperative branding and marketing of community-based experiences.
Different ways were discussed about the life in the villages in North and South Pindus, which aim to celebrate and preserve their local heritage.
The model of Fair and Solidarity Tourism emerged as a powerful counterbalance to the dangerous effects that may be produced by mass tourism.
Further information is available in the Press release that can be downloaded here (PDF).
INTERNATIONAL FESTIVAL OF
THEATER, ART AND NEW TECHNOLOGIES
“THE WANDERS OF THE POSSIBLE”
XI° Edition 2024
Between November and December 2024, Kyber Theatre organises in Cagliari (Italy) the 11th Edition of the International Theatre, Art and New Technologies Festival called “The Wonders of Possible”.
The LMDP Festival supports the development and experimentation of new creative, theatrical and artistic languages through new technologies, with the programming of shows, performances, installations, workshops, and conferences.
Kyber Teatro, a spin-off of L’Aquilone di Viviana, the creator and organizer of the LMDP Festival, promotes international encounters between artists, scientists and technological researchers and the contamination between the arts, offering all Italian and foreign artists and performers, including emerging and/or under-35 companies, the opportunity to participate in the Festival by sending their project by April 2, 2024.
Who can attend
• Companies, Individual Artists
• Companies/Artists emerging or/and under 35.
• Companies/Non-emerging artists of all ages (we encourage applications from artists at any stage of their careers).
Maximum 3 participants per project.
Eligible Projects
• Theater and new technology performances
• Performances of art and new technologies
Artists interested in participating in the Festival should email info@kyberteatro.it the following materials:
– Artists/Company CV;
– Location of departure of each artist and technical staff of the company;
– Presentation dossier in PDF format;
– Technical sheet;
– A selection of up to 5 photographs;
– Link to the integral audio and video material to be made available on Vimeo or Youtube;
The outcome of the evaluation will be communicated to those selected only by May 6, 2024.
Economic conditions
Open Call winners will be guaranteed full coverage of mobility costs (travel to Cagliari, food and lodging). The organizing Company will communicate to the winning artists the travel itinerary and other useful information for hospitality. In addition, a small reimbursement of expenses will be guaranteed for the presentation of No. 2 replicas of their show/performance. If possible and by prior arrangement with the technical manager, any materials required for the presentation of the performance/show/installation will also be covered.
Publication and archiving
Artists agree to provide a brief biography and synopsis of the work and agree that the material may be published on the LMDP Festival website and social media or given to the press for promotional purposes.
Permission is given for Kyber Teatro – L’Aquilone di Viviana to archive the material and make it accessible via the Festival website. All rights to the project images will remain with the artist. The Organization is also authorized to document through audio video recordings or images the unfolding of the event at every stage.
The Wellcome Collection uses IIIF to make medical and scientific materials available via a their custom-built Welcome Viewer, which supports search and autocomplete service integration with overlaid search results, as well as 3D, audio, video, and pdf viewing experiences.
The 2024 International Image Interoperability Framework (IIIF) Annual Conference will be held in Los Angeles, California June 4–7, 2024, and will be hosted by UCLA Library, Getty, and the IIIF Consortium.
IIIF is a set of open standards for delivering high-quality, attributed digital objects online at scale. It’s also an international community developing and implementing the IIIF APIs.
Funded by a 67-member global consortium, III F is leveraged by aggregators, research institutions, national libraries, archives, museums, software companies, and digital agencies around the world.
The event is intended for a wide range of participants and interested parties, including digital image repository managers, content curators, software developers, scholars, and administrators at libraries, museums, cultural heritage institutions, software firms, and other organizations working with digital images and audio/visual materials.
In addition to the Conference, held June 4 and 5, the event includes a free Showcase on June 7. The Showcase is meant to introduce newcomers to IIIF, and those seeking to learn how IIIF is used in a variety of contexts. The conference features plenary presentations and sessions about IIIF implementations around the world, including cutting edge use cases and demonstrations.
The Call for Proposals is now open and submissions are due by February 6, 2024.
The IIIF Conference Program Committee encourage showcasing developments in IIIF and in particular welcome presentations in the following areas:
Find additional details about the Call for Proposals and required formats here
Submit your proposal here
DH Benelux 2024 Conference
“Breaking Silos, Connecting Data: Advancing Integration and Collaboration in Digital Humanities” is the theme of the 11th edition of the DH Benelux Conference. The event will take place at the Irish College in Leuven from June 5 to June 7, 2024, with pre-conference workshops scheduled for June 4, 2024.
The annual DH Benelux Conference serves as a platform for the community of interdisciplinary Digital Humanities researchers to meet, present and discuss their latest research findings and to demonstrate tools and projects.
The Call for Papers is open until 31 January 2024.
Researchers, practitioners, scholars, and students are invited to submit their original research, case studies, position papers, and poster presentations related to the theme of “Breaking Silos, Connecting Data” and its associated topics.
Interdisciplinary perspectives are welcomed, with encouragement for contributions exploring strategies, techniques, and methodologies to break down silos, connect disparate data sets and sources, foster interdisciplinary collaboration, and enable new forms of data access
More info here
Submissions can be made here via Easychair
Languages & The Media 2022 Conference
Credit: Dominik Tryba
Languages & The Media, the Biennial International Conference on Audiovisual Language Transfer in the Media, is gearing up for its 15th edition “New Frontiers in Media Localization“, scheduled from November 13 to 15, 2024, in Budapest.
The event will feature three days of pre-conference workshops, panel discussions and presentations by experts and analysts to explore both new and existing industry practices, discuss cutting-edge developments and pioneering research. It will investigate the role of AI-driven products and workflows, providing a glimpse into the potential future workplace and job landscape. The conference will raise questions such as: What will media localization look like in the era where AI and human intelligence create new pathways? Furthermore, what role does creativity play in this new age of media localization?
The event will be the platform for transformative dialogue, acting as a nexus for thought leaders, content owners, language service providers, technology developers, educators, researchers, and language professionals, shaping the future of media localization.
The call for papers is now open and the deadline for submission of proposals is January 8th, 2024.
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