World Day for Audiovisual Heritage: let’s celebrate!

On 27 October 2016 we will celebrate the World Day for Audiovisual Heritage (WDAVH), sponsored by UNESCO and organized by the CCAAA (Co-ordinating Council of Audiovisual Archives Associations), of which ICA (International Council on Archives) is a member.

wdah

The World Day for Audiovisual Heritage is intended to highlight the good work being done around the world to preserve and make available this important heritage, and to encourage others to follow those examples. The theme this year is “It’s Your Story – Don’t Lose It”.

The CCAAA and ICA encourage all of you to contribute information about your World Day celebratory programme: in facts, on the occasion of the 2016 World Day for Audiovisual Heritage, the CCAAA is launching a new website, and all CCAAA associations are asking their members and any other institution to post information about their World Day events directly on that new website.

All you have to do is to fill in a simple online form which you will find on this special page of the website. Just follow the instructions! http://www.ccaaa.org/pages/Events/World-Day-2016.html


ACM TVX Conference for online video and user experience – Call for Papers!

TVX1

Hosted at Sound and Vision (NISV) location in Hilversum, ACM TVX is the leading international conference for research into online video, TV interaction and user experience. It is a multi-disciplinary conference and we welcome submissions in a broad range of topics.

The call for full and short paper submissions has just been opened:
https://tvx.acm.org/2017/participation/full-and-short-paper-submissions/

In particular, submissions are encouraged that address the different domains in the TV and online media ecosystems, including content production, implementation/deployment, design of novel interaction techniques and devices, new content distribution models, user research, user experience and exploration of interactive experiences for TV and online video.

As the main theme of the conference is ‘Alternate Realities’, we particularly welcome contributions that look into specific tools, methods and evaluation of experiences related to creating and enabling alternate realities.

Also note the call for Workshop proposals:
https://tvx.acm.org/2017/participation/workshop-proposals/


E-Space presents… NOUS

NOUS

It starts with waves
Brainwaves have been used in different and fascinating innovations in the past few years. While they hold big mysteries to themselves, they can be captured using an EEG (electroencephalogram) device. The magnitude of captured information is enormous. In this interwind of data, humans need help to find the existing patterns. Technology translates the waves to simple human terms. The nerds call it human readable.

Technology lacks emotion feedback
Tech and gadgets are void of any emotion feedback by users. They are unaware of the users emotional state and unresponsive to the users situations. This human feedback can expand the user experiences. Human emotions are complex and reacting to this new information horizon is no simple feat. Imagine your house trying to cheer you up in the time of sadness or your game console recognising and adapting to your fear inside a game.

What we do
We are Nous. The prototype uses a commercial of the shelf device to capture brainwaves and open source applications to pre-process the data. The timed information is analysed in a Machine Learning environment. The result is the emotional state of the user. The future product will be an API that can use every of the shelf EEG device available in the market. It will have a simple interface which reports the state of the user emotion. It can also combined with a VR device for a total immersive experience.

spa_logo_alt-e1399389114350NOUS was one of the winner projects of the E-Space Hacking the [Dancing] Body in Prague (November 2015) and was further developed during the E-Space Business Modelling Workshop series.

Discover the 7 projects incubated by E-Space

 


E-Space at “Filming the Arts” international workshop in Florence

filming the arts

Filming the Arts is a research of the University of Florence that intends to develop knowledge of the role of the arts (cinema, music, theatre, dance, visual arts and folkore events) for enhancing and representing a certain territory.

Filmed arts also have an important impact for Digital Humanities and citizens engagement, as videos of performances are often taken by the audience and shared on social media, to either showcase good or bad practices of management and interaction with public spaces and territory/landscape.

The Workshop organized by the University of Florence, SAGAS department, on 6-7 October 2016, included international experts from all over Europe discussing how digital cultural heritage (both digitized and born-digital) forms the backbone for a modern European cultural identity that is represented in perfomative and filmed arts and many other creative practices.

Antonella Fresa was invited at the workshop, together with other E-Space partners: the project coordinator Sarah Whatley, Marco Rendina from Istituto Luce and Lizzy Komen from NISV.

la rep

 


iPRES PREFORMA Workshop

Between the mountain passes and river bends north of the Alps mountain range lies the de facto capital of Switzerland: Bern. It’s a UNESCO world heritage site and just outside of it lies BernExpo, a square, meta-coloured building that’s home to toy fairs as well as this year’s iPRES conference.

 

2016-10-04 17.51.07-1iPRES is an annual gathering of preservationists, including archivist, librarians, data storage gurus, and digital art curators. What makes the crowd special is that it brings together a range of people with various backgrounds, storing various kinds of materials for the long term, be it scanned books, video games from the 1980s, net art works, or digital born film and video. The conference brings a mix of talks and workshops. The PREFORMA team organised one of those workshops. We gathered round on Wednesday afternoon to (1) dive into the larger narrative of the project (giving preservationists the tools and control to check their files’ conformity), (2) show the three different tools in development (VeraPDF, DPFManager, MediaConch), (3) detail the three standardisation strands (PDF/A, TI/A and CELLAR) and (4) get a conversation started between (potential) users of the tools with the people who are hard at work making them happen.

 

After an introduction of the project and development work, we split up in four working tables. In these small groups we discussed organisations’ individual needs and questions. At table 1, led by Börje Justrell and Erwin Verbruggen, we discussed integration opportunities and future challenges with people who work on projects such as the UK National Archives’s technical registry PRONOM, the checkit_tiff  conformance checker for baseline TIFFs and the Arcsys record management software. The conversation touched upon how to integrate the PREFORMA suite of tools with any and either one of these tools, some of which have overlapping functionality. One of the participants indicated to be interested in writing a wrapper for the DPF Manager to fit into the Rosetta preservation system they use. All agreed that it’s important to give extensive information about what to do with errors: if an institution does not have the technical expertise to judge a conformance error message, the error messages should help them decide what to do with that information – ignore the issue, repair the metadata, or reject the file. This type of error explanation could potentially be tied to preservation service levels – as files and collections treated under a certain level might incur a different approach than files and collections in a higher, more stringent category. The big challenge to normalising these error warnings is one that is present within the PREFORMA, namely in how a standard API and policy structure can bring together the three toolsets.

 

2016-10-05 16.08.08At the table that discussed audio-visual formats, Ashley Blewer and Jérôme Martinez discussed with their table mates the same topic of knowing which policy to apply. The archives present discussed the idea of having a platform for sharing policies, where users could interact and exchange knowledge about what policy to use in what case, a feature forthcoming in the MediaConch online platform. The MediaConch team is seeking people interested in supporting further development for different formats such as JPEG 2000, or MP4. The team furthermore discussed the possibility of using MediaConch as a simple qc-tool for all media formats, with which doing a simple headcheck is a possibility. All around the table agreed on one thing: preserving video is hard work!

 

2016-10-05 14.49.38The table that discussed the DPF Manager and the TI/A standardization work, led by Erwin Zbinden, talked about appropriate standards and how welcome the TI/A work is after the many confusing TIFF that exist. The group concluded that the DPF Manager is a useful tool, but that some of the TIFF tags can currently not be evaluated – it can for instance not yet tell what images are tiled or stripped. Other topics included the openness or propriety of compression algorithms in TIFF and the wish for a formulated policy check that complies with future standards & recommendations.

 

2016-10-05 13.55.44At the fourth table, Boris Doubrov and Joachim Jung received a lot of input on how to proceed with the veraPDF project. Users indicated that the tool is nice but that files in use often aren’t PDF/A. veraPDF is therefore looking into strategies on how to extend the tool — yet the PDF standard is of massive volume, and Joachim indicated that perusing version 1.7 would cost 10x as much time as what’s put in already. The team therefore indicated it might be useful to divide up the standard to progressively do work around it in waves. Besides technical discussions on what the hardware needed for the tool looks like, the group further discussed the potential of the tool to give feedback to the developers through providing extensive statistics. Also at this table, the topic of errors significance came up: it’s nice to have warnings, but what do they mean for your actions or for what software allows you to open the document? The table proposed using a rating system to indicate the gravity of these warnings.

 

All in all, the workshop gave us not just food for thought, but also concrete challenges to further provide solutions for in the framework of the PREFORMA project!

 

Related links:

 

Other iPres blogs:


E-Space goes to Derry at “Upcycle Digital Heritage” workshop

Upcycle Digital Heritage was jointly organized by The Discovery Programme, CARARE and FABLAB Derry, and the workshop explored some of the challenges and opportunities which are present in reusing digital heritage data, with 4 sections (creative industries, communities, tourism and museums, education) each introduced by an international expert in this field, followed by discussion amongst the event attendees to explore potential solutions and opportunities.

“How can we ensure that our digital heritage is exploited by new sectors and industries?”

Antonella Fresa was invited to present outcomes and achievements of Europeana Space and other projects for the reuse of digital cultural heritage by creative industry and by the civil society, showcasing lessons learnt and experiences and fostering discussion on two overarching themes:

  • Digitisation, rights and new business models for content providers
  • Cooperation between research, private and public sectors

Download Antonella’s presentation (PDF, 2.3 Mb)

More about the event: http://www.digitalmeetsculture.net/article/upcycle-digital-heritage-workshop-in-derry/


veraPDF 0.24 released

veraPDF-logo-600-300x149The latest version of veraPDF is now available. Version 0.24 includes a prototype of batch validation in both the CLI and GUI. Other new enhancements include:

Conformance checker

  • added extraction of the AFRelationship key for embedded files as a part of veraPDF feature extraction.

Application enhancements

  • implemented prototype of batch validation from CLI and GUI;
  • implemented robust handling of run-time exceptions during batch processing; and
  • added error info on the run-time exceptions to the validation report.

Code Quality

  • moved feature extraction and metadata fixing code to library; and
  • tidied various compiler warnings.

 

Download veraPDF 0.24:

http://www.preforma-project.eu/verapdf-download.html

http://downloads.verapdf.org/rel/verapdf-installer.zip

 

Release notes:

https://github.com/veraPDF/veraPDF-library/releases/latest

 

Call for testing

veraPDF is building an open source, industry-supported PDF/A validator. Please support our efforts by downloading and testing the software. If you encounter problems, or wish to suggest improvements, please add them to the project’s GitHub issue tracker (https://github.com/veraPDF/veraPDF-library/issues), or contact us through our mailing list. Your feedback is very important, it helps to improve the software.

 

Find out more about veraPDF

Webinar: Watch the recording and slides from our latest webinar: http://verapdf.org/2016/09/26/recording-and-slides-from-verapdf-webinar-published/

Mailing list: Join our mailing list: http://lists.verapdf.org/listinfo/users

Newsletter: Subscribe to to the veraPDF consortium’s newsletter: http://verapdf.org/subscribe/

Experience workshop: Meet us at the PREFORMA Experience workshop, 23 November 2016: http://experienceworkshop.preforma-project.eu/

 

Led by the Open Preservation Foundation and the PDF Association, the veraPDF consortium is developing the industry-supported open source, file-format validator for all parts and conformance levels of ISO 19005 (PDF/A). The software is designed to meet the needs of memory institutions responsible for preserving digital content for the long term.

The veraPDF consortium is funded by the PREFORMA project. PREFORMA (PREservation FORMAts for culture information/e-archives) is a Pre-Commercial Procurement (PCP) project co-funded by the European Commission under its FP7-ICT Programme.


Paul, the robot who can draw like a human artist

From Digital Trends online magazine.

UK artist Patrick Tresset has eventually turned to robotics, creating a computational system that is “artistic, expressive, and obsessive” in its ability to draw, and more than just a copy machine, Tresset’s robots are designed with an “autonomous artistic creativity” that makes them capable of producing “objects that are considered as artworks.” This project is a serious endeavor with other researchers creating advanced robotic systems, testing them extensively, and publishing their results in scientific journals.

One of his robots is named Paul and the Paul-derived paintings have been exhibited in major art museums and have been acquired by galleries, museums, and art fairs for display. Based on the feedback provided by the art world and the art-loving public, Tresset believes the creations of Paul indeed “are considered as works of art.”

Read the full article by Kelly Hodgkins on Digital Trends:

http://www.digitaltrends.com/cool-tech/robotic-artist/


E-Space presents… STORYPIX

logo

The universe is made of stories, not of atoms.
Muriel Rukeyser, an American poet and political activist, said it right. Our lives are build up from this strange material, that seems to hold everything together. It is through stories that we learn, we empathize, we grow as human beings. And it is how we remember.
Art has for centuries played a crucial role in people’s lives as the visual appearance of stories. They inspired us, reminded us of the universality of human struggles and opened our eyes to the miracles of being alive, which is why art is of such incalculable value.
Museums, as the guardians of this heritage, have always looked for different ways of engaging with audiences to bring them the most optimal experience of encountering artworks. Now millions of artworks have been digitized and it’s time to disclose this treasure to the audience it deserves.

billboard

Look up close and hear the stories
Storypix is a digital platform that takes art collections to the audience at large. It is a technology designed for showing artworks on billboards or large outdoor screens that are now becoming more and more available in beautiful, high quality resolution. It allows for art institutions to present their collection in a meaningful way in public space.
A large screen that shows the artwork can be controlled by anyone with a smartphone and a connection. By entering the URL in their browser, a location prompt will connect them to the artwork in front of them which show up on their phone, together with an audio player. They’re straight inside the app, no downloads required.
Now they can magically zoom in on incredible detail to see the artwork in a way that would be impossible before. The paint stroke and details of the canvas at their fingertips. And they can listen to the story of it, making it a deeply engaging experience.
two-screens

Under the hood: the technology
The app is entirely web based, written in HTML5 and works with a combination of high end technologies to deliver a fast and seamless experience. One of them is a tiling service that can deal with ultra high res images very easily. This means that artworks that were scanned on gigapixel resolution can now be used in the street.
A web service is available for institutions to build their selection and upload their artworks, together with the stories. Every project can be customized to include other services such as ticket sales or print orders. And a collection page will hold all the stories for people to share amongst friends.

We are now in our final testing rounds and will be ready to launch soon.
Let’s set the arts free. They have stories to tell.

spa_logo_alt-e1399389114350STORYPIX was one of the winner projects of the E-Space Hack Your Photo Heritage in Leuven (February 2016) and was further developed during the E-Space Business Modelling Workshop series.

Discover the 7 projects incubated by E-Space

 


Call for Papers open until 21 November for the GUIDE conference on distance learning

This conference will be jointly organized by Guide Association and University of Phoenix (Central Florida) and aims to promote discussions about the current status and next evolutions of distance learning. Particular attention will be given to the new pedagogical approaches to be used for the new digital generation, innovative emerging technologies and the keys for the successful improvement of a standardized quality system in e-learning.  A Call for Papers is currently open on the conference topics.

CALL FOR PAPERS open until 21st November 2016

CONFERENCE TOPICS
Rethinking pedagogy for a digital generation

  • Flipped Classrooms, Blended learning and other active learning pedagogies
  • Case studies on gamification approach to optimize the learning process
  • New ideas on social networks to create collaborative learning

Emerging Technologies

  • Augmented and Virtual Reality enhanced learning
  • Next generation m-Learning and case studies
  • B.Y.O.D. philosophy in distance learning
  • Next generation multimedia products

Data Mining Strategies For E-Learning Organizations

  • Data-taking and analysis to increase distance learning quality
  • Opinions analysis and case studies
  • Innovative data mining methods in distance learning

Engaging and supporting faculty

  • Teacher training
  • Case studies in faculty support
  • Faculty development in blended and online learning

Creating communities in Distance Learning

  • Academic partnerships virtual collaborative success stories
  • Innovative practices and shared facilities
  • Case studies for the creation of communities of best practices

CONFERENCE WEBSITE

guide