The IN SITU project participates in the SECreTOUR Network of Common Interest where the activities of the members of the network are promoted. As part of the collaboration, we are glad to annouce the launch of the IN SITU Dialogues! … Continue reading
3D Research Challenges in Cultural Heritage VI – DigitalTwin versus MemoryTwin This book presents a collection of papers focussing on 3D digitisation in the domain of cultural heritage. The use of data acquisition technologies in digitising cultural heritage holds great potential … Continue reading
Topic: media
iPRES 2018 BOSTON – Where Art and Science Meet – The Art In the Science & The Science In the Art of Digital Preservation – will be co-hosted by MIT Libraries and Harvard Library on September 24-27, 2018. The call for contributions seeks abstracts for papers that tell stories about bridging knowledge gaps in teams, implementing technologies, and overcoming barriers towards proper digital stewarding of digital items, assets, works and collections. Continue reading
A “fourth industrial revolution” is going to transform the way we use languages in the media, according to the organisers of a leading European conference of experts. Rebecca Stromeyer, Chief Executive of ICWE GmbH, the Berlin-based company, which is organising … Continue reading
This application was presented at The Wrong, the largest and most comprehensive biennale celebrating digital art today. A global event aiming to display digital culture, open to participation, and spreading its content through online pavilions: virtual curated spaces in any … Continue reading
Call for Proposals: Digital Echoes Symposium 2018 / Reflections off the Future Date: 23 April 2018 As an acoustic phenomenon, an echo is a reflection of sound off a surface. The time it takes to reach this surface and return … Continue reading
Aura is an immersive sound, light and video projection-mapping experience, staging in Montreal’s landmark Notre-Dame Basilica. The viewer is absorbed in a spectacle in which the Basilica’s grandiose architecture is enriched with a layer of augmented reality and spatialized orchestral … Continue reading
Screening the best in International contemporary short cinema at venues across the Scottish capital in Autumn and curating programmes for other festivals across the UK & Internationally. This year, we’re also excited to be curating film programmes from submissions for … Continue reading
“We live in a time where public space is threatened, and people seem to be more atomized and isolated than ever. I’ve always had this radical idea that could be used to bring people together … “ These are the … Continue reading
Screen City is a biennal event dedicated to presenting the moving image in public space, and its program combines installations, screenings, art walks, an online exhibition and audio-visual program, talks and panels. It explores the relation between the moving image, … Continue reading
Merle Friedrichsen attended the “No Time To Wait 2” symposium organised by PREFORMA in November 2017 and gave a presentation on “Open Source Tools in the Digital Archive Workflow” from the perspective of the German National Library of Science and Technology. They both veraPDF (PDF/A), and MediaConch (for Matroska/FFV1 – for film) and the result is that all the requirements that they identified regarding open source software for validation are fulfilled (or are possible to fulfill) by these tools. Continue reading
The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. The latest version of veraPDF is now available to download. veraPDF is an open source PDF/A validator, and version 1.10 marks the first release of veraPDF as part of the Open Preservation Foundation’s (OPF) reference toolset. There are also a number of other fixes and improvements which are documented in the latest release notes. Continue reading
