From 8th to 13th September 2025 Antonella Fresa, president of Photoconsortium and EUreka3D-XR Project Coordinator, took part to Digital Heritage 2025, the premier global forum where culture meets cutting-edge technology, hosted in Siena. With colleagues from Europeana Foundation, XRculture, 3DBigDataSpace … Continue reading
Digital art and mental art We could say that digital art was born as conceptual art, since it finds its root in immateriality, and is immaterial because it exists only in thought: the object of art does not truly exist … Continue reading
Topic: EU projects
The European Commission Information Society and Media DG, with the support of TERENA and the GÉANT project are organising a workshop to discuss federated access and more in general the vision for a global authentication and authorisation infrastructure at European level also in the context of the Horizon2020. Continue reading
CULTURA Virtual Research Environment, three Cultural Heritage Collections, Personalisation, Entity Relationship Extraction, Entity Oriented Search, Text Normalization, Network Visualisations in the Drupal Module, Desktop Premapper, Web Premapper, FAST Annotation Service, Content Annotation Tool, Equalia, … Continue reading
i2cat Foundation organised in collaboration with the Universitat Internacional de Catalunya (UIC) the first RICHES workshop to be held in Barcelona on the 13th of May Continue reading
A group of memory institutions met in Brussels to agree on the expected behavior and functionality of the tools to be developed in the coming years by the software suppliers that will be selected out of the procurement that will be launched by the project. The outcome of the workshop will be soon available on the PREFORMA website. Continue reading
The location of the exhibition is Palazzo Lanfranchi, a very prestigious exhibition centre, in an historical palace in the center of Pisa, on the Lungarno Galilei (the embankment of river Arno). Each photograph displayed in Palazzo Lanfranchi is printed with the most advanced printing techniques and on a very pure, cotton-based paper that enhances the photograph at its best. In order to attract the citizens to visit the exhibition and to engage the visitors, Collection Days are organized to digitize family photos and albums related to the timeframe of the project. Continue reading
The great event of Europeana Photography project is the result of collective effort from all the partners of this extraordinary consortium. An important role in the direction of the scientific project behind the exhibition was played by the project coordinator KU Leuven, in charge of coordinating the selection of images together with the content providers, and of developing themes and narrative of the exhibition and the catalogue book. Grand opening event is taking place in Pisa (Italy) 11th April – 2nd June 2014, in the historical setting of Palazzo Lanfranchi, organized by Promoter. Continue reading
In Pisa, at Palazzo Lanfranchi, from 11th April to 2nd June 2014, a great photographic and multimedia exhibition based on the most advanced digitization and printing technologies, telling the stories of our grandfathers. The exhibition is organized in the framework of the EU-funded project Europeana Photography. Continue reading
Open access, open data, workshops, training events, and much more… The February edition of the EUDAT News Bulletin has been released to keep the community updated about the latest news and developments from the project. Continue reading
Archeomatica, an Italian multidisciplinary e-magazine about new technologies and Cultural Heritage, presents PREFORMA and the related Call for Tender to its readers in an article entitled “PREFORMA: gli standard del futuro per la conservazione dei dati digitali culturali”. Continue reading
On the 18th February 2014, in the beautiful premises of the National Museum of Slovenia, it was held the third plenary meeting of EAGLE project, which included a special training session for the content providers. The meeting was joined with the EAGLE Public Workshop ‘Current Practices and New Directions in Digital Epigraphy’. Continue reading
