Refers to a method of developing software that relies on the distributed authorship of several software developers. The designation of a software as ‘open source’ needs to abide by a number of criteria. These include: free redistribution; access to source code; allow modifications and derived works; no discrimination against persons, groups or fields of endeavour; the licence must be generic, not specific to a product, not restrict other software and must be technology neutral.
3D Digitisation Guidelines: Steps to Success was designed and produced within the to help anyone on their 3D digitisation journey. It is specifically aimed at Cultural Heritage professionals who are considering, or in the middle of, digitising their cultural heritage … Continue reading
“To accomplish great things, we must not only act, but also dream; not only plan, but also believe and respect!” by Anatole France This timeless reflection perfectly captures the spirit of our long-standing collaboration with MiraLab in Geneva. Over many … Continue reading
A digitised 3D model is often seen as the end result of a digitisation project. But what happens next? Can you publish the model online? Can someone else use it in an XR application, educational game or virtual exhibition? And … Continue reading
After months of careful development in collaboration with Europeana.eu, EUreka3D-XR project has just released a new self paced course on Europeana Academy, titled Introduction to XR for cultural heritage. Extended Reality (XR) is creating new opportunities for museums, archives, … Continue reading
For the first time in EU history, the three EU institutions signed a joint declaration reaffirming the EU’s role in protecting cultural and linguistic diversity and integrating cultural considerations across all EU policies, while respecting national competencies. The institutions set … Continue reading
#participateinculture #societalvalueofculture #unchartedculture 3D 3D digitisation AI Amsterdam animation Antonella Fresa Athens audiovisual augmented reality Berlin BIBRACTE big data Brussels call for papers Caterina Sbrana citizen participation Citizen science Civic Epistemologies co-creation conference Conference and events conferences and events conformance check Coventry University creative industry CULTURA cultural heritage cultural participation cultural tourism dance DCH-RP digital art Digital Cultural Heritage Digital Heritage digital humanities digital libraries digital preservation digitisation digitization DPF Manager e-Infrastructures E-Space EAGLE education EGI EUDAT EUreka3D EUreka3D-XR Euromed Europa Nostra Europeana Europeanaphotography Europeana Space European Commission Eötvös Loránd University file formats Fred Truyen Girona Granada Hackathon INCULTUM incultum project innovation IPR KU Leuven Linked Heritage London MediaConch MEMOLab museums networking open source software Paris participatory approaches participatory approaches to cultural heritage PDF/A performing arts Photoconsortium photography Pisa PREFORMA preservation Promoter REACH project RICHES Sarah Whatley standards sustainable tourism UGR University of Granada UNCHARTED community UNCHARTED event UNCHARTED Project VeraPDF Vienna WEAVE Webinar workshop
DIGITAL MEETS CULTURE periodico iscritto al n. 295/2018 R.N.C-n1/'19 Registro della stampa Tribunale di Pisa, direttore responsabile Nella Deangeli
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