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- This policy for persistent identifiers in the data space can guide cultural heritage institutions to ensure that resources are reliably identified and remain accessible online now and in the future.
In the digital transformation of the cultural heritage sector, the concept of Persistent Identifiers (PIDs) is becoming more known and used by heritage institutions to enrich their online collections and improving their discoverability, accessibility, interoperability and reusability over time and … Continue reading →
- In collaboration with Q42, Fabrique design agency and consultancy collective Eidra
After four years of planning, considering, building, refining, testing, releasing, reconsidering, fretting, cropping, finetuning and re-cropping, Rijksmuseum launched Collectie Online—the successor to the Rijksmuseum’s ground-breaking Rijksstudio collections platform. Here are some of the possibilities the platform offers: Allow the viewer … Continue reading →
Author Archives: valentina.bachi

Which impact do the cultural and creative industries, and in particular the arts, generate for the development of innovations between industry, people and technology? >> ACCESS HERE: https://kreativ-bund.de/artcreatesindustry >> Also live on Facebook, Twitter and YouTube! Registration in advance is … Continue reading

The Commission has opened a public consultation on the opportunities offered by digital technologies for the cultural heritage sector. Stakeholders and all interested people are invited to provide feedback on the Recommendation of 2011 on digitising cultural material and digital … Continue reading

The 16th international festival for digital arts of Greece, Athens Digital Arts Festival (ADAF), the pioneer longest living institution dedicated to digital culture in the country (est.2005), will be implemented also ONLINE, introducing a new digital institution. Since the new era is … Continue reading

This Workshop is organized by the PAGODE – Europeana China project team at the Department of Asian Studies, University of Ljubljana. Its aim was to set the common ground for the curation of Chinese cultural heritage in the Europeana Digital … Continue reading

image: Rank Badge with Leopard, Wave and Sun Motifs, China, Qing dynasty (1644–1911), late 18th century, silk and metallic thread, Metropolitan Museum of Art, 30.75.1025. Being so deeply embedded in the Europeana ecosystem, the new CEF project PAGODE – Europeana China (2020-2021) … Continue reading

Co-financed by the European Union under the CEF Connecting Europe Facility Programme, PAGODE wants to contribute to generating rich user experience and high audience engagement with Europeana, the European digital library, by proposing a thematic approach in the aggregation, curation … Continue reading

img.: Schematic depiction of a knowledge graph in the performing arts domain; from the paper by Julia Beck, Frankfurt University Library, CC0. The SWIB (Semantic Web in Libraries) annual conference is one of the essential events related to Linked Open … Continue reading

Today’s knowledge of the linguistic and cultural diversity of humanity is widely based on magnetic tape recordings produced over the past 60 years. Magnetic audio and video tape formats are now obsolete. Spare parts supply and service is fading, replay … Continue reading

The Europeana Aggregators Forum is the gathering where twice a year the community of Europeana most trusted partners meets to review strategies and collaborations, and make plans for the future. All the aggregators work with cultural heritage institutions to gather … Continue reading

To commemorate this year’s Europe Day organised on the 9th of May a webinar dedicated to Digital Cultural Heritage is being organised. This webinar brings together two of the smallest island nations of the EU – Malta and Cyprus. These are the only EU members in the Mediterranean sea, … Continue reading