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- It will allow users to consult all collections at once with the use of keywords in their own language.
The vocabulary has been completed in 12 languages and consists of over 500 concepts in three facets –photographic technique, photographic practice and keywords – that are structured in a multifaceted, hierarchical way. Discussions are on-going with other projects, in particular Linked Heritage, for improvement and further development of the EuropeanaPhotography Vocabulary, that can be a starting point for other valuable multilingual tools to enrich digitization activities (both for photography and for other cultural heritage). Continue reading →
- Chasen Sino-Sin's complete 3D digitisation services of cultural heritage relics and museums.
As digital technology evolves, 3D data is increasingly preferred as a method of preserving cultural heritage artifacts. It provides an easy way to get in touch with them and significantly reduces the need for physical storage space, offering to museums a portable and accessible platform to exchange information and to researchers the possibility to easily browse and review the materials. Continue reading →
Jointly curated by the two digital libraries, the exhibition uses photographs, manuscripts, broadsheets, paintings, letters, audio, government documents and other unique materials to chart people’s journeys across the European continent and their settlement in the United States. The DPLA and Europeana—guided by a common mission to make the riches of libraries, museums, and archives openly available to everyone in the world—collaborated regularly with curators, content partners, project staff, and others to design and build the exhibition cooperatively. Continue reading
Thanks to Photoshop, 10 Venus masterpieces (Botticelli’s, Gentileschi’s, Tiziano’s…) are updated according to nowadays beauty standards. Ancient painters made their artpieces keeping in mind the beauty ideal of their times, which had been considerably changing up to today’s thinness obsession. Continue reading
Arrival of the spring in English landscapes is a “classical” subject, and Hockney treats it with a modern eye, often powered thanks to new digital tools he’s always been interested in. Continue reading