From 8th to 13th September 2025 Antonella Fresa, president of Photoconsortium and EUreka3D-XR Project Coordinator, took part to Digital Heritage 2025, the premier global forum where culture meets cutting-edge technology, hosted in Siena. With colleagues from Europeana Foundation, XRculture, 3DBigDataSpace … Continue reading
Digital art and mental art We could say that digital art was born as conceptual art, since it finds its root in immateriality, and is immaterial because it exists only in thought: the object of art does not truly exist … Continue reading
Topic: digital preservation
Intermediate objective is to deliver to Europeana a huge number of metadata, in order to publish a first batch of images to witness the history of Europe and the art of photography in the period 1839-1939. The images are supposed to be on line and accessible to everyone by early 2014, and for this reason EuropeanaPhotography content providers are working closely to the technical deadlines to allow this result. Continue reading
The Linked Heritage project draws to a close at the end of September 2013. Linked Heritage – with the strapline, ‘Share culture, link content’ – was a content-focused project, which aimed to bring large quantities of content into Europeana, to enhance metadata quality and to improve the search, retrieval and re-use of Europeana content. Continue reading
Europeana Professional recently published an interesting article related to Eagle project, a best practice network that brings together the most prominent European institutions and archives in the field of Classical Latin and Greek epigraphy to provide Europeana with a comprehensive collection of unique historical sources which constitute a veritable pillar of European culture. Continue reading
The annual event organized by Polis (Polo di Innovazione delle Tecnologie per la Città Sostenibile – Innovation Pole of the Technologies for a Sustainable City) was held in the Engineering College of Siena’s University on the 26th – 27th September 2013. It has hosted two days of debate about the “Smart Specialization Strategy” general topic, structured on the three Polis themes MOBILITY, CULTURAL HERITAGE and SUSTAINABLE BUILDING. Continue reading
On the 12-13 November 2013, at the Jerusalem’s Van Leer Institute, is being held the Xth Annual International Event for Professionals in Cultural Heritage and Advanced Technologies. Scholars from all-over-the-world are invited to share their latest projects with the colleagues with a seven-minutes spot-light. Continue reading
Sciencegateway.org organises a Science Gateway Institute workshop co-located with IEEE Cluster 2013 Conference. Papers will be co-publishing in a special issue of Concurrency and Computation, Practice and Experience (http://www.cc-pe.net/journalinfo/) together with selected papers presented at the International Workshop on Science Gateways 2013 (http://www.iwsg2013.org). Continue reading
Ciaran Clissmann presented CULTURA as one of the projects working on innovative technologies to enable new opportunities
to preserve and access digital cultural heritage content. Continue reading
Medelhavsmuseet – the Museum of Mediterranean and Near Eastern Antiquities in Stockholm will digitally place human mummies on a virtual autopsy table. The work is taking place in advance of a new exhibition on Egypt, which is due to open in 2014. It will be possible to zoom into very high resolution to see details like carving marks on a sarcophagus, and the true colors of the mummy. The 3D model also allows to “unwrap” a mummy by peeling off virtual layers of the wrapping to explore the mummy itself and the artifacts that were buried with the body. Continue reading
The goal of the course, organised in 4 webinars, is to create the skills to integrate scientific applications in Science Gateways implemented with the Catania Science Gateway Framework. This will allow the creation of an intercontinental team of deveopers able to respond to requests of integration of specific applications from Virtual Research Communities all around the globe. Continue reading
This is an initiative of the technological branch of Chasen Sino-Sin and related company Amber Digital, sponsored by an important group of Chinese corporations and enterprises, that are seeking in Europe for the museums and institutions that hold Chinese collection to offer them a zero-cost, advanced 3D digitization service. The museum keeps the full property of the digital objects for any purpose and exploitation, while the Chinese company is licensed to the re-use the 3D models in China for educational and research purposes, and for virtual exhibitions. Continue reading
