3D Digitisation Guidelines: Steps to Success was designed and produced within the to help anyone on their 3D digitisation journey. It is specifically aimed at Cultural Heritage professionals who are considering, or in the middle of, digitising their cultural heritage … Continue reading
On 13 and 14 June 2026, as part of the European Archaeology Days, the Bibracte team presented several activities and tools developed or promoted through the EUreka3D-XR project at the Archaeology Village in Paris. Over the two-day event, around 300 … Continue reading
On June 4th 2026, under the auspices of the Cyprus Presidency of the EU Council and within the Digital Cultural Heritage Summit 2026, EUreka3D-XR held an additional event that addressed the full pipelines for the use and re-use of 3D … Continue reading
Area: digital heritage
Once again this year, EUDAT is co-organising the Digital Infrastructures for Research (DI4R) event together with RDA Europe, PRACE, EGI, OpenAIRE and GÉANT. The event takes place in the heart of the European Union in Brussels (Belgium) on 30th November and 1st December 2017, hosted … Continue reading
The fourth edition of the TECHNOLOGYforALL Forum will be held in Rome from 17 to 19 October 2017. Italy’s role in the development and conservation of the world Heritage is a framework where we will try to analyse the weighted … Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
Università Cattolica del Sacro Cuore – Milano and Opera di Santa Maria del Fiore in Florence are glad to present the Executive Master in Cultural Heritage. Creativity, Innovation and Management: a one-year, full-time program, taught entirely in English, that attracts candidates … Continue reading
There is an unprecedented amount of data on the Web today. However, this data is only as useful as its quality allows it to be. Data Quality is an important topic in companies and organizations that use and/or disseminate large … Continue reading
As a result of the long and devoted work of dozens of experts and professional juries, more than 40 major award schemes from around the world announced some 300 prize-winning museum, heritage and conservation projects in 2016. At The Best … Continue reading
In the digital era, libraries, archives, museums and galleries are no longer constrained by the physical limitations of their buildings, analogue books, manuscripts, maps, paintings and artefacts. Cultural collections now can be safely distributed and shared globally. To ensure that … Continue reading
Considering the relevance of audiovisual material as perhaps the biggest wave of data to come in the near future (Smith, 2013, IBM prospective study) its relatively modest position within the realm of Digital Humanities conferences is remarkable. The objective of … Continue reading
Join the #DCDC17 in November for three days of discussions and workshops on how we gather, measure and present evidence of the cultural value and impact of our collections. DCDC17 keynotes Geoffrey Crossick, Distinguished Professor of Humanities, School of Advanced Study … Continue reading
Emotive is an EU-funded heritage project that aims to use emotional storytelling to dramatically change how we experience heritage sites. For heritage professionals, the Emotive application will provide a powerful storytelling engine and a set of rich digital media assets … Continue reading
