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by Marinos Ioannides (Cyprus University of Technology / Unesco Chair on Digital Cultural Heritage)The first #3D #CulturalHeritage object #3DforCulture harvested by Europeana.eu in the post- #BREXIT era from the UK, is now a reality. https://unescochair-dch.net/Guildhall_Great_Hall We are proud to celebrate a landmark achievement for European #DigitalCultural heritage, #CulturalDiplomacy and international collaboration. The magnificent … Continue reading →
Brussels, 22 June 2026CEPIC and Photoconsortium are pleased to announce that their joint project, CHERISH (Cloud for HERitage – Image Sector Hub), has been selected for funding under the ECHOES Cascading Grants Call. CHERISH is one of only 20 projects, reflecting the project’s … Continue reading →
Featuring EUreka3D Initiative summary videoAs EUreka3D-XR approaches its final stage, we can start to draw conclusions from a fruitful 18 months and are delighted to share the project’s work, achievements and resources: “EUreka3D-XR: exploring cultural heritage through 3D digitisation and XR experiences” is now … Continue reading →
Area: digital heritage
In September 2017, the Europeana Pro website went throught a major redesign, also integrating Europeana Labs and Europeana Research, which were previously living on separate websites. One of the main reasons for this redesign was to place people first: the new … Continue reading
August 16 2017 The National Gallery, London, is working in collaboration with museum analytics firm, Dexibit, to use big data for predictive analytics. For decades, directors at the helms of the world’s cultural institutions have faced the challenge of balancing … Continue reading
Once again this year, EUDAT is co-organising the Digital Infrastructures for Research (DI4R) event together with RDA Europe, PRACE, EGI, OpenAIRE and GÉANT. The event takes place in the heart of the European Union in Brussels (Belgium) on 30th November and 1st December 2017, hosted … Continue reading
The fourth edition of the TECHNOLOGYforALL Forum will be held in Rome from 17 to 19 October 2017. Italy’s role in the development and conservation of the world Heritage is a framework where we will try to analyse the weighted … Continue reading
This is the sixth in a series of interviews with people using MediaConch within their institutions. Ben and Geneve work in the Audio and Moving Image Preservation Unit at at New York Public Library. MediaConch is an integral part of the Quality Control workflow to reformat audio and moving image research collections and specific policies have been created to this purpose. Continue reading
Università Cattolica del Sacro Cuore – Milano and Opera di Santa Maria del Fiore in Florence are glad to present the Executive Master in Cultural Heritage. Creativity, Innovation and Management: a one-year, full-time program, taught entirely in English, that attracts candidates … Continue reading
There is an unprecedented amount of data on the Web today. However, this data is only as useful as its quality allows it to be. Data Quality is an important topic in companies and organizations that use and/or disseminate large … Continue reading
As a result of the long and devoted work of dozens of experts and professional juries, more than 40 major award schemes from around the world announced some 300 prize-winning museum, heritage and conservation projects in 2016. At The Best … Continue reading
In the digital era, libraries, archives, museums and galleries are no longer constrained by the physical limitations of their buildings, analogue books, manuscripts, maps, paintings and artefacts. Cultural collections now can be safely distributed and shared globally. To ensure that … Continue reading
Considering the relevance of audiovisual material as perhaps the biggest wave of data to come in the near future (Smith, 2013, IBM prospective study) its relatively modest position within the realm of Digital Humanities conferences is remarkable. The objective of … Continue reading



















