Following the most recent (and still ongoing) aggregation of new objects digitized in the context of the EUreka3D-XR projects, four new galleries on Europeana were created by Bibracte. Start your journey: The Hidden Side of Bibracte A Gaulish public space: … Continue reading
EUreka3D-XR has finalised its booklet “EUreka3D-XR: 3D and XR in the European Digital Cultural Heritage“: the publication describes the EUreka3D competence centre, including the EUreka3D Data Hub, their training and capacity building work, its impact, sustainability and future plans, and … Continue reading
Topic: audio video & music
The PREFORMA project and MediaArea are pleased to announce initial details for a 2nd No Time to Wait symposium, hosted by the Österreichisches Filmmuseum – Austrian Film Museum. Members of audiovisual archiving, digital preservation, open media development, and open format standardization communities as well as curious onlookers are welcome to attend, discuss, and present on subjects pertaining to the intersection of open media, standardization, and audiovisual preservation. Continue reading
Augmented Reality was initially used for military, industrial, and medical applications, but was soon applied to commercial and entertainment areas as well. In the cultural sector, it can be of particular relevance in the fields of archaeology, architecture, art, city planning, for applications in tourism, education, social innovation Continue reading
Heritage Experience gives the public the opportunity to create their own unique and surprising films at the CIUP. It is an initiative within the Smartcity project; a vast programme of reflexion and creation on the concept of the “intelligent city”. Continue reading
Our correspondents from France inform about a biennal international festival dedicated to electronic cultures and emerging artistic forms. Emergences festival presents innovative projects (hybridization of the artistic forms, new writings, scenography and the relationship to public, way of production) by giving a particular attention to the “emergent” artists. Continue reading
