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UPCOMING EVENTS:
20-22 May 2026, Rijksmuseum (Amsterdam)The Rijksmuseum (Amsterdam) in co-operation with the Association for Historical and Fine Art Photography (AHFAP) has been organizing the biennial conference 2and3D Photography – Practice and Prophecies since 2015. The 2026 Edition of the even will cover a broad range … Continue reading →
A new blogpost on EuropeanaDuring this year’s Women’s History Month, a new blogpost was published on Europeana.eu in the context of EUreka3D-XR project to celebrate the history of Girona’s bravest women. The blogpost, titled “The heroines of Santa Barbara”, explores the role of those … Continue reading →
Topic: audio video & music
The PREFORMA project and MediaArea are pleased to announce initial details for a 2nd No Time to Wait symposium, hosted by the Österreichisches Filmmuseum – Austrian Film Museum. Members of audiovisual archiving, digital preservation, open media development, and open format standardization communities as well as curious onlookers are welcome to attend, discuss, and present on subjects pertaining to the intersection of open media, standardization, and audiovisual preservation. Continue reading
Augmented Reality was initially used for military, industrial, and medical applications, but was soon applied to commercial and entertainment areas as well. In the cultural sector, it can be of particular relevance in the fields of archaeology, architecture, art, city planning, for applications in tourism, education, social innovation Continue reading
Heritage Experience gives the public the opportunity to create their own unique and surprising films at the CIUP. It is an initiative within the Smartcity project; a vast programme of reflexion and creation on the concept of the “intelligent city”. Continue reading
Our correspondents from France inform about a biennal international festival dedicated to electronic cultures and emerging artistic forms. Emergences festival presents innovative projects (hybridization of the artistic forms, new writings, scenography and the relationship to public, way of production) by giving a particular attention to the “emergent” artists. Continue reading






































