A new blogpost was produced and published on the Common European Data Space for Cultural Heritage to disseminate and promote the five open-source digital tools developed by EUreka3D-XR. In the blogpost, the AR Tour Builder, the AR Tour Experience, the … Continue reading
The Heritage at Risk Summer School 2026, organised in collaboration with the 3D-4CH Project and in the framework of 3DBigDataSpace, brough together experts, researchers, and practitioners to explore this question through advanced 3D documentation methods. Participants gained insights into: European … Continue reading
Topic: audio video & music
The PREFORMA project and MediaArea are pleased to announce initial details for a 2nd No Time to Wait symposium, hosted by the Österreichisches Filmmuseum – Austrian Film Museum. Members of audiovisual archiving, digital preservation, open media development, and open format standardization communities as well as curious onlookers are welcome to attend, discuss, and present on subjects pertaining to the intersection of open media, standardization, and audiovisual preservation. Continue reading
Augmented Reality was initially used for military, industrial, and medical applications, but was soon applied to commercial and entertainment areas as well. In the cultural sector, it can be of particular relevance in the fields of archaeology, architecture, art, city planning, for applications in tourism, education, social innovation Continue reading
Heritage Experience gives the public the opportunity to create their own unique and surprising films at the CIUP. It is an initiative within the Smartcity project; a vast programme of reflexion and creation on the concept of the “intelligent city”. Continue reading
Our correspondents from France inform about a biennal international festival dedicated to electronic cultures and emerging artistic forms. Emergences festival presents innovative projects (hybridization of the artistic forms, new writings, scenography and the relationship to public, way of production) by giving a particular attention to the “emergent” artists. Continue reading
