Ungaretti, Il Porto Sepolto 1923. Storia di un’edizione

Share

img. EUreka3D project / Museo della Carta

The Museo della Carta in Pescia holds a rich heritage of paper goods consisting of watermarked paper moulds, watermark waxes, punches, watermarked metal sheets, about 7,000 pieces, witnessing the history of paper manufacturing in Tuscany.

One of the items digitized and shared to Europeana in the context of EUreka3D project is a paper mould produced in 1923. It features the watermark with a stylized anchor, flanked at the bottom by the letters “E” and “S”. These are the initials of Ettore Serra (1890-1980), poet, critic, antiquarian, multifaceted and cosmopolitan intellectual, and most of all founder of the publishing house Stamperia Apuana, which published the second and expanded edition of Giuseppe Ungaretti’s collection of poems Il Porto Sepolto printed on a high quality paper specially manufactured by the Magnani Paper Mill in Pescia, using the paper mould currently preserved at the Museo della Carta, and digitized in 3D for EUreka3D project.

The 3D digitization of this paper mould supported in the Museum additional research about the story of the object itself and of this publication of Il Porto Sepolto. As a direct outcome of this research, an exhibition and catalogue was derived, showcasing the original model, the various documents and stories that surrounded it and the book published by Ettore Serra, and of course the 3D model itself digited in the EUreka3D project. The exhibition Ungaretti, Il Porto Sepolto 1923. Storia di un’edizione opens on 8th February until 2 June 2025 and is part of a series of exhibitions dedicated to artworks, events and important figures in the local history of 1900.


Website: https://museodellacarta.org/en

 

 

Leave a Reply


Related Articles

Explore all objects published on Europeana ingested through EUreka3D-XR
Starting today, it is possible to explore every single object that has been ingested on Europeana through EUreka3D-XR project. Produced by project coordinator Photoconsortium, two new galleries are now available on Europeana: one where all the 3D digitised, reconstructed and produced within EUreka3D-XR are grouped together, and a second one that focuses specifically on the work done in collaboration between EUreka3D and Twin it! (June 2023 – June 2024). Explore the galleries: All ...
Welcome Back to EUrope - #CultureForEurope and #EuropeForCulture in real action
The first #3D #CulturalHeritage object #3DforCulture harvested by Europeana.eu in the post- #BREXIT era from the UK, is now a reality. https://unescochair-dch.net/Guildhall_Great_Hall We are proud to celebrate a landmark achievement for European #DigitalCultural heritage, #CulturalDiplomacy and international collaboration. The magnificent Great Hall of the City of London Guildhall, London City of London Corporation: City View has become the first #3D #CulturalHeritage asset from the...
3D, copyright and the public domain
A digitised 3D model is often seen as the end result of a digitisation project. But what happens next? Can you publish the model online? Can someone else use it in an XR application, educational game or virtual exhibition? And does creating a 3D model automatically create a new copyright? These were some of the central questions addressed by Ariadna Matas from Europeana Foundation during the second session of the Lifecycle of 3D Data in Cultural Heritage webinar series, organised by EUreka3D-...
3D Digitisation Guidelines translated into multiple languages by EUreka3D-XR
3D Digitisation Guidelines: Steps to Success was designed and produced within the  to help anyone on their 3D digitisation journey. It is specifically aimed at Cultural Heritage professionals who are considering, or in the middle of, digitising their cultural heritage collections using three dimensional models. It outlines and simplifies the recommended standards highlighted in the EU VIGIE Study 2020/654 (Study on quality in 3D digitisation of tangible cultural heritage, published April 202...