For the first time in EU history, the three EU institutions signed a joint declaration reaffirming the EU’s role in protecting cultural and linguistic diversity and integrating cultural considerations across all EU policies, while respecting national competencies. The institutions set … Continue reading
After months of careful development in collaboration with Europeana.eu, EUreka3D-XR project has just released a new self paced course on Europeana Academy, titled Introduction to XR for cultural heritage. Extended Reality (XR) is creating new opportunities for museums, archives, … Continue reading
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images courtesy TopFoto.co.uk Digital collections of various types of heritage are an immense resource for knowledge sharing, and Europeana is the EU flagship initiative to make this common heritage accessible to any type of users. Europeana and its network of … Continue reading
Ultraorbism was an interactive distributed action between two networked connected spaces in two cities: Barcelona and Falmouth. The story was a linear interpretation of the first of the two books of True Story by Lucian of Samosata (a Syrian writer who lived in the second century AD), who tells an impossible journey on which everything is invented, with references to the mythology and literature of the era. Ultraorbism, a project directed by Marcel•lí Antúnez Roca, is part of the European project SPECIFI and case study of the RICHES European project’s research area. Continue reading
The Pop-Up Museum at Sound and Vision is a special installation with three wide-screen monitors in an interactive setting. You can interact and control the exhibition with your smartphone. The interactive software has been developed by Noterik BV in cooperation … Continue reading
This is the eight in a series of interviews with people using MediaConch within their institutions. Patricia Falcao is a time-based media conservator at Tate. She uses MediaConch to check files that have resulted from migration. Francesca Colussi is one of the senior time-based media conservation technicians at Tate. She mainly uses MediaConch both for local policy checking and in-house quality control, as a comparison and ‘problem solving’ tool to spot anomalies in exhibition format files. Continue reading
The STARTS (Science, Technology and the Arts) Symposium, being held in Brussels on 22-23 June 2015 at BOZAR, is aimed at exploring the catalytic role of the Arts for innovation in business, industry and society and how to foster it. As representative of the Civic Epistemologies consortium Frederik Truyen, Professor at the Faculty of Arts of Katholieke Universiteit Leuven, is attending the event to present the project to the delegates. Continue reading
This is the third in a series of interviews with people using MediaConch within their institutions. Kieran O’Leary has an intership with the Irish Film Archive within the Irish Film Institute, mostly working on code, workflows, metadata, digitisation, migration, and facilitating access to collections. He is using MediaConch’s GUI to check files delivered from vendors. MediaConch automates a lot of this work via local policy creation. Continue reading
from Dr. Marwan Asmar (Chief Project Editor of Ancient Theatres Enhancement for New Actualities-ATHENA Project). The scanning of the Cherchell and Tipaeza Theaters in Algeria are being digitally fashioned to categorize the intertwining of heritage, culture and tourism. Through the scanner and total station they are being reproduced graphically to bolster their role in different aspects of development, from the local community to attraction hubs. Continue reading
The opening took place on the 15th May 2014. Among the guests was Mr. Martin Ivanov – the President’s Secretary of Culture. Mr. Dincho Krastev – CEO of NALIS – and Mrs. Katya Zografova – director of the National Museum of Literature presented the exhibition and the EuropenaPhotography project. Continue reading
3 D laser technologies training and scan to conserve ancient theaters and ensure their long-term sustainability in Euromed region. The new technologies are part of the EU-funded ATHENA Project and is under the Euromed Heritage Program 4. A very focused contribution from Dr. Marwan Asmar, Chief Project Editor of ATHENA Project. Continue reading
