Tag: user engagement

Badilisha Poetry: African poetry goes mobile digital

Badilisha Poetry X-Change is both an online audio archive and Pan-African poetry show delivered in radio format. Now the largest online collective of African poets on the planet, Badilisha has showcased and archived over 350 Pan-African poets from 24 different countries. It reflects the myriad of rhythms and rhymes, voices, perspectives and aspirations from all corners of the globe. Continue reading


weLand connects “prosumers” into a glocal network

weLand Association is a cultural NGO founded in Asti, South Piedmont (Italy), in August 2012. Its aim is to develop a regional network of individuals and groups interested in aggregating, sharing and reusing open data for GLAMs, education institutions and tourism stakeholders. The idea of the association arises from the firm belief that innovation (and so the elements which innovation is generated by, culture and creativity) should take into account a bottom-up engagement of the community, in order to fully realise its potential and to become a real driver of social and economic development. Continue reading


STARTS explores the catalytic role of the Arts

The STARTS (Science, Technology and the Arts) Symposium, being held in Brussels on 22-23 June 2015 at BOZAR, is aimed at exploring the catalytic role of the Arts for innovation in business, industry and society and how to foster it. As representative of the Civic Epistemologies consortium Frederik Truyen, Professor at the Faculty of Arts of Katholieke Universiteit Leuven, is attending the event to present the project to the delegates. Continue reading


Europeana Business Plan 2015: Make the Beautiful Thing

In May, Europeana has launched its Business Plan 2015. This is the first year of the Europeana Strategy 2015-2020, which outlines how the company will transition into a multi-sided platform: a truly networked organisation working together to create the largest repository of trusted, accessible and re-usable digital heritage in the world. The Europeana Business Plan 2015 reflects this change in perspective. Continue reading


Hacking Culture Bootcamp SUPER-success in Amsterdam!

This weekend the first E-Space hackathon took place in Amsterdam, from the evening of the 8th until the 10th of May. The event, organised by the Europeana TV pilot of E-Space project, was challenging game and app developers, storytellers and interactive designers to create new multi-screen experiences with a focus on digitised historical footage. Winners will now fly to London for an intensive Business Modelling Workshop! Continue reading


Scénographies de l’éclat, by Montel and Fischnaller

Did ancient statues living in the traditional museums lose their radiance and divine feature? New technologies, combining 3D imagery and multisensory visitor experience, enable to recreate within an innovative space the ancient splendour of the Greek plastic. Sophie Montel recognises … Continue reading


ULTRAORBISM by Marcel•lí Antúnez Roca

Ultraorbism was an interactive distributed action between two networked connected spaces in two cities: Barcelona and Falmouth. The story was a linear interpretation of the first of the two books of True Story by Lucian of Samosata (a Syrian writer who lived in the second century AD), who tells an impossible journey on which everything is invented, with references to the mythology and literature of the era. Ultraorbism, a project directed by Marcel•lí Antúnez Roca, is part of the European project SPECIFI and case study of the RICHES European project’s research area. Continue reading


Ballade of Women for women’s right

Ballade of Women is an interactive installation that explores perspectives on women’s rights. Through the lens of the personal experience of three women, the exhibition offers an interactive narration on three fundamental themes: emancipation, self-determination and violence. In the installation, representations of three paintings are fragmented and float in the space; set on rotating spindles, these fragments resist attempts by the viewer to capture them as a whole. Thus, the screens only provide a complete view of the paintings at selected times and from specific view-points in the room… Continue reading