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The last 10th -11th of May REACH celebrated its Opening Conference in Budapest with a remarkable participation: 152 attendees, 16 videos and 35 posters presented. High-level experts discussed and compared good examples of participatory processes and researches facing the … Continue reading
More than 300 artists from 50 countries presented their artworks through an impressive and manifold program that consists of interactive audiovisual installations, audiovisual performances, web art powered by Cosmote Fiber, digital image, video art and animation screenings, participatory workshops and … Continue reading
Tag: iMINDS
by Frederik Temmermans, imec On the 29th of November 2016, Europeana Space organised a seminar entitled “The Ghent Altarpiece in 100 Billion Pixels” at the imec offices in Brussels. During the seminar, the Europeana Space educational demonstrator “Photographic investigation of … Continue reading
On the 13th of October 2015, the Joint Pictures Experts Group (JPEG) organised a workshop in Brussels on privacy and security support for image data. As privacy, security and IPR are critical issues when dealing with digitised cultural contents, the workshop was targeted on understanding industry, user and policy needs in terms of technology and supported functionalities. Continue reading
by Kelly Mostert, NISV During the 2015 ACM TVX conference, hosted by the iMinds Digital Society Department, that took place on the 3rd – 5th of June at the Crown Plaza Hotel in Brussels the EuropeanaTV pilot of Europeana Space … Continue reading
There is a huge amount of digitized photographic and cultural heritage available on Europeana – and similar open repositories such as Wikimedia Commons and Flickr Commons – that are just waiting to be reused in innovative new applications. This shared cultural content can be an opportunity, with current technologies, to bring people together, to form a glue of new relations between content owners, educators, cultural heritage institutions, developers, students, stakeholder communities, creative industries. Continue reading
The E-Space project’s technical workshop took place in Brussels, on the 23rd of March 2015, at the iMinds – Vrije Universiteit Brussel (VUB) offices; the event, aimed at presenting E-Space’s architecture and implementation choices for the development of its technical structure, was open to the public and attended by over 50 experts from all over Europe. Thanks to this workshop, the E-Space Consortium was able to collect from the attendees a great many feedbacks and inputs, useful to complete the development of the E-Space’s Technical Space. Furthermore, the event gave evidence of the numerous and fruitful possibilities of integration between the services offered by the Europeana Labs and E-Space’s Technical Space. Continue reading
Europeana Space is establishing a Technical Space as a framework for storing, accessing and processing cultural heritage content and metadata. Based upon IPR licensing, curators, scholars, professional users and developers will be able to search for and manage resources within … Continue reading
The IPR workshop was an opportunity to begin to explore some of the issues that are likely to arise during the project as pilots and tools are developed and as open content is monetised. Continue reading
The connection between Europeana Space and Europeana Photography is stronger than ever, basing on a Cooperation Agreement and most of all on common themes of reflection and activites. On 29-30 January, the Final Conference of Europeana Photography was organized in … Continue reading
Speakers: Sarah Whatley (Coventry University, project’s coordinator), Charlotte Waelde (University of Exeter), Prodromos Tsiavos (Postscriptum), Frederik Temmermans, Peter Schelkens, Ann Dooms (iMinds). A workshop focused on IPR that considers content rights in a non traditional way. Rather than only focussing on different … Continue reading
Important appointments organized by Europeana Space project in March 2015! The objective of Europeana Space is to increase and enhance the creative industries’ safe use of digital cultural content available in online repositories, by delivering a range of resources to … Continue reading
