The Netherlands Institute for Sound and Vision (‘Nederlands Instituut voor Beeld en Geluid’), in short NISV, is a cultural-historical organization of national interest, collecting, preserving and opening the audiovisual heritage for as many users as possible: media professionals, education, science … Continue reading
On 18 June 2015, the countryside of Valdera (Pisa, Italy) was seat of an interesting international meeting, focussed on the role of food as element of the European cultural heritage (CH) and aimed at discussing how the changes within our society may have an impact on the wine & food traditions of a territory. Results of this workshop, held in the framework of the RICHES project, will merge into a public document, constituting the base of a policy brief addressed towards the European Commission. Continue reading
The XX Conference on Cultural Heritage and New Technologies, organised by the Department of Urban Archaeology of Vienna’s Museum, is being held in the Vienna City Hall on 2-4 November 2015. The conference’s call for paper/poster/video expires on 15 June 2015 (deadline extended). This year, the event is dedicated to the theme “Urban Archaeology and Public Relations. New Technologies Enabling Archaeological Outreach” Continue reading
On 25-26 March 2015, in Brussels, the Net Futures 2015 conference was held, gathering more than 1000 people with the aim to maximise the competitiveness of the European technology industry. The event formed an interconnected community involving companies, organisations and people in Research & Innovation, Market Validation & Living Lab Research, Business Development, Entrepreneurship & Enterprise Strategy, Policy Making. It is firm belieg of the organisers that by bridging the gaps between these communities, innovations will more easily and effectively find their way to the market. Continue reading
Last month EBN welcomed ADDICT – Creative Industries Portugal, the Creative Industries Agency in Portugal. ADDICT is a non-profit association created in 2008. It currently gathers around 100 members and is recognised by the Ministry for Economy as the coordinator of the Creative Industries Cluster in Portugal. ADDICT’s mission is to foster a favourable environment for culture and creative economy to thrive, advocating the sector interests and acting as platform for knowledge and innovation. Continue reading
The report “Getting cultural heritage to work for Europe”, by the Expert Group on Cultural Heritage established under the Horizon 2020 Work Programme 2014, provides the rationale for setting a renewed European Research & Innovation policy agenda on cultural heritage. It outlines the general framework about cultural heritage in Europe and the contribution it can make towards smarter, more inclusive and more sustainable development. The report further describes recommendable actions, drawing upon successful cases where cultural heritage has been a positive driver for sustainable development. Continue reading
FutureEverything celebrated its 20th anniversary. For the last two decades the festival has brought people together to imagine, shape and question the vision of a truly participatory society. A belief in the emancipatory and creative potential of new technologies runs throughout digital culture. It is found both in the open source community and in the rhetoric of Silicon Valley start-ups. In recent years, the contradictions in this vision have come to the surface. The digital age has brought a collision of positives and negatives. This year was an ideal opportunity for FutureEverything to hit pause on its headlong rush into the future, to reflect on the consequences of the past decades and the prospects for the decades to come. Continue reading
For the last (full) week of September, 22nd – 26th, at Brighton Digital Festival, Wired Sussex will be coordinating Creative, Digital & IT Open Studios, an event which provides an opportunity for local businesses to lift the curtain on what goes on behind the scenes in the sector. Wired Sussex is a Brighton-based membership organisation for companies and freelancers operating in the digital, media and technology sector in Sussex, UK. Continue reading
Models can catwalk through holograms of themselves, T-shirts can hug you and couture is being designed virtually and then printed using a 3D printer – no needle and thread involved. These marvels are developing at full speed, changing the way we see, design, make and buy clothes. Continue reading
Perhaps the greatest barrier for dancers with disabilities accessing dance at a Higher Educational (HE) level is the perception that a career in dance is ‘off limits’ to them. Professor of Dance and Director of the Centre for Dance Research (C-DaRE) at Coventry University (RICHES’ Partner) Sarah Whatley argues for a change in perceptions for every body dancing. Continue reading